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UNDER THE SHADOW OF THE WALL
IN POST-PRODUCTION


This video essay focuses on the landscapes of the Sonoran Desert—and the imperialist project of a border wall between the U.S. and Mexico—as a way of investigating the manner in which something as generic as a wall takes on particular and discrete politico-affective forms. This short provocation explores the ways that violent and distasteful objects create, and subsequently come to characterize, maleficent spectacles.